From ESPN Front Row by Dan Quinn

About 5 a.m. ET each weekday morning, a large black insulated Pelican case is wheeled into Studio E of ESPNโ€™s Digital Center. Once at the Mike & Mike in the Morning set, the top is cautiously opened and the contents are carefully removed as if they are treasures from a faraway land.


BobbleHeadlines: Trivia and Stats


ยท Set-up time: 15 minutes.
ยท Break-down time: 7 minutes, quietly done during First Take (10 a.m.-Noon, ESPN2) in the adjacent studio โ€œAs long as weโ€™re quiet and donโ€™t drop them,โ€ Williams says.
ยท Always front left-center: Mike & Mike bobble head.
ยท Bobble heads had been stored in a Tupperware until Nolan urged for the larger, stronger black Pelican case.
ยท Chipped โ€˜heads donโ€™t make air, or are relegated to the back โ€“ until repaired with glue.
ยท Flip Saunders brought his own bobble head to the set โ€“ conveniently taping over the sponsorโ€™s name in compliance with show rules.
ยท The University of Houston sent in a Jim Nantz doll.
ยท Frank Sinatra and President Obama are represented.
ยท Next โ€˜head to be unveiled: a New Orleans Saint, received from Big Easy painter Frenchy during this yearโ€™s Super Bowl.

The baubles transform the barren desktop into a decorative tribute to athletes, entertainers, team mascots, political leaders and even super heroes via pop-culture collectibles: bobbleheads.
In May 2007, when Mike Golic and Mike Greenberg took their show from the cozy confines of an ESPN Radio studio to the expansive HD TV studio, producer Liam Chapmanrecalled, โ€œWe felt the larger desk looked empty, so we took some bobbleheads from peopleโ€™s cubicles and offices and put them out, and it grew from there.โ€
โ€œItโ€ also created an additional job for staffers who now loosen up for their regular camera-operating duties by unpacking and arranging the showโ€™s signature bobbleheads, about 75 of them.
While it may seem a tedious task, itโ€™s also a memorable one for those who have handled it (see time-lapse above).
โ€œWe put them out randomly but cautiously,โ€ said associate operator Mo Williams.
There is a method to the madness โ€“ and homers do have a hidden head hierarchy.
โ€œAs a Phillies fan, I try to put Chase Utley in the forefront,โ€ says lead studio operator Dan Filipone. โ€œAnd if we have an in-studio guest like Herm Edwards or Mark Schlereth, Iโ€™ll try to put those bobbleheads in front of the guest position.
โ€œI also like our Buzz and Woody dolls from โ€˜Toy Storyโ€™,โ€ he said. โ€œThey are actually solar powered so I try to get them in the best lighting so they bobble throughout the show.โ€
Williams explains the dolls on either end of the desk are positioned at angles for the cameras, and, pointing to Mickey Mouse, says, โ€œOf course we have the boss in front โ€“ heโ€™s never way in the back!โ€
Some fans donโ€™t understand the time and care involved in proper bobblehead placing.
Studio operator Amanda Nolan, who is also an ESPN friends and family tour director said, โ€œWhen I tell guests the bobbleheads are set up and put away every day, theyโ€™re surprised because there are so many. Most times they donโ€™t believe meโ€.
Others are overtly aware of the dolls.
Thereโ€™s the Oregon fan who has provided a paddle of ducks by sending a new one each time he notices the rose has broken off from his mascotโ€™s hand. Then there were the countless Tweeters and e-mailers earlier this month who missed the collectibles when the set was bobblehead-less due to preparation for a promo shoot that day.

Categories: